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Tag: Evolved

5 writers that have inspired me

One of the great things about my publisher, Evolved Publishing, is that we have a street team – a group of people who love our books and are committed to sharing them with others. Not only is it great for promotions, but it gives readers and fans a chance to meaningfully interact with authors.

This week we were asked, “Which 5 authors have most influenced your writing choices, style, and career aspirations?”

Thinking about this, there are two things that stand out in my choices – ordinary people not always coming out ahead, and prose that conveys their emotions well.

1. Ernest Hemingway.

When I was a high school junior, our crazy English teacher, Sr. Betty, had us read The Old Man and the Sea. And by read, I mean dissect every single freaking sentence in the book. Needless to say, it really turned me off Hemingway. In fact, I didn’t even teach any of his stuff in my own HS English classes. While picking books for my students’ book bingo assignment, I decided to give him another try. I picked up For Whom the Bell Tolls, and then promptly read everything else he’s written. The Sun Also Rises is one of my favorite books, and I love Jake Barnes.

The thing I love most about Hemingway is his sparse style. He manages to deeply and vividly convey characters and emotions with stripped-down prose. This is something I try to do in my stories, and it’s part of the reason I write so much flash fiction – with a smaller word count, every word has to count.

2. Annie Proulx

She’s most notably the author of The Shipping News (much better book than movie, of course, and I really liked the movie) and a couple books of short stories set in Wyoming, Close Range and Bad Dirt.

Her prose is beautiful and alive. It flows and dips, rolls and hesitates, with a life of its own. And she writes about ordinary people in bad situations, which sometimes work out but most often don’t – something that readers say I’m guilty of as well.

3. Anton Chekhov

Speaking of writing about ordinary people in bad situations – that’s pretty much all mid-late 19th century Russian lit. And Chekhov is one of the best at it, telling the slice-of-life stories of ordinary people so that they matter just as much as royalty and warriors. “Lady with a Lap Dog” is my favorite of his stories. He was one of the first to do this, focusing even more on the rustic peasant than his contemporaries Dostoevsky and Tolstoy. And his short stories are more approachable for ordinary people than their massive tomes.

4. Nikolai Leskov

Probably the best Russian author you’ve never heard of, he mixes Chekhov’s everyday characters with Gogol’s satire and offbeat sense of humor. His short stories are painfully real, with emotions that come alive as he makes his characters suffer for goals they’ll never reach; again, something I try to do. Lady Macbeth of Mtsensk is one of his best known, thanks to Shostakovich’s opera based on it.

Leskov’s influence is evident in the works of later Russian writers I admire, especially Soviet-era authors Mikhail Bulgakov and Ilf and Petrov (both of whom you should read).

5. Brian Jacques

Jacques is best known for his Redwall children’s series, about woodland creatures waging war. I’ve written about him before; basically, he was the first author I read who killed good guys, either for the sake of the plot or for no reason at all. For a fourth grader reading books with happy endings, this was profound. Bittersweet, is the word I’d use to describe his books.

What writers have influenced you?

Weekend Writing Warriors 9/22/13 #WeWriWa

First, I apologize for the misplaced menu above. I’ve been trying to update my blog, but between a school project and going out of town this weekend, I ran out of time. Grrr.

I’m continuing on with my soon-to-be-released women’s fiction novel, The Lone Wolf, out December 2nd from Evolved Publishing.

After her husband’s infidelities are revealed, Kasey Sanford just wants to rediscover who she is. After an abusive childhood and years as a career soldier, Andrew Adams just wants someone to tell him that he’s doing the right thing with his life. When their paths cross, Kasey and Andrew embark on a tumultuous journey that demonstrates just what they’re willing to do to save the ones they love.

Last week, Kasey arrived home to find pictures of her husband in bed with another woman. In this scene, he’s just arrived home from work.

I pulled away and thrust the letter and pictures at him. Trying not to shake, I said in as level a voice as I could manage, “Someone stuck these in the door today.”

His brow wrinkled, then his eyes widened as he read the letter and saw himself in the photos. Surprise was conspicuously absent; he’d known I would find out, knew of the woman’s ultimatum.

That realization channeled my jumbled emotions into pure rage.

“What’s going on, David?” I asked in a voice as smooth and deadly as ice.

He glanced at me, then looked away and sat down on the couch. He was thinking hard, going into lawyer mode with himself as the defendant this time, weighing his words against the truth and what I’d believe; it meant he was hiding more. 

Want to read more? Sign up for my publisher’s newsletter in the next week, and you’ll get a 5 chapter sneak peek! (And sign up for my newsletter too – link over there on the left – for updates and giveaways – plenty to come as the launch approaches!)

Post a link to your eight sentences blog entry, or join the fun at the Weekend Writing Warriors website.

Midyear writing goal review

Every three months or so, I like to post how I’m progressing on the goals I set for myself in January.

  1. Publish my novel, The Lone Wolf.  I can cross this off because it’ll be out December 2nd, 2013, from Evolved Publishing. Yay me!
  2. Average a short story acceptance each month, with the majority of them in paying markets.  This has not been going so well. I’ve only had one acceptance so far this year (to a token market), “Us, Together” in Fiction365. Okay, two maybe if you count “The Business Trip” reprinted in Free Flash Fiction‘s anthology, The Flashing Type. However, I haven’t really been sending any shorts out. I wrote a bunch for May’s Story-A-Day, so maybe I can get some of those out soon.
  3. Put out a short story collection.  Yes, did this too! I released Us, Together: A Short Story Collection about a week ago. And I’m currently working through edits on another one, The Futility of Loving a Soldier, which should be out – let’s just say soon.
  4. Get another novel ready to query – either 2012’s NaNoWriMo novel, or the one I’ve been working on for a couple years, A Handful of Wishes. I haven’t had a chance to work on this, but I’ll be getting my butt in gear soon because I promised my editor I’d have A Handful of Wishes to him by April 2014 so it can be published December 2014.
  5. Read 100 books this year. I’m currently at 43. I should be at 49 by now, but considering how busy I’ve been with school and work and writing and my kid, I’m not doing too bad.
  6. Kayak the entire length of the Hennepin Canal.  Still no job, so still no kayak to do this. And no time to do it either. Maybe I can do small pieces as part of some weekend adventures later this summer?

If you’ve set goals for yourself, how’re they going so far this year?

An example of genre-hopping that works

Recently I’ve heard quite a few writers concerned with genre-hopping. Many agents and publishers discourage it; if you want to write different stories, you write under different pen names. It keeps your fans compartmentalized – for example, the romance fans don’t have to read sci-fi they may dislike – but it’s harder to build that elusive platform, as you’re essentially building two (or more, depending on how many pen names you go with).

So, can you be successful as a genre-hopper? My publisher, Evolved Publishing, has no problem with it (they’re leniently awesome about a lot of other stuff too).

And in the past few months, I’ve come across a really good example: the band Imagine Dragons.

At first, I wasn’t big on them. “It’s Time” is a blatent rip-off of Sigur Rós’s “Inní Mér Syngur Vitleysingur,” a song I happen to love but most people have probably never heard. “It’s Time” is fun, hopeful, light. It’s played on most Top 40 radio stations.

And then I heard “Radioactive,” which is not really fun or hopeful or light. And it’s played almost exclusively on rock stations.

Intrigued, I got their album, Night Visions (and I highly recommend you do too). It’s a mix of light pop songs, dark rock songs, and some Caribbean steel drums that conjure up memories of the lobster from The Little Mermaid. And the mix is working, because their debut album has gone platinum in the US (1 million+ albums sold).

I think part of their success is their marketing approach: target pop people for the pop songs and rock people for the rock songs, each of whom will buy the whole album and probably enjoy it.

The lesson for writers, I guess, is that you need to cast a wide net. My novel, The Lone Wolf, is women’s fiction and I’ll market it towards women’s fiction writers, but chances are they’ll enjoy my other stories when they read them (or at least buy them). Readers who enjoy my darker short stories will buy the novel and appreciate some of the darker characters. I hope.

What’s your take on genre-hopping and marketing: good or bad? Why?

Genre hopping

One of the hardest things for me as a writer is to stay within the same genre. Many authors have no problem with this – they write all sci-fi, or thrillers, or romance. Me, I’m all over the place. My novel due out in December 2013, The Lone Wolf, is women’s fiction. My next one, A Handful of Wishes (tentatively scheduled to be released in December 2014), is magical realism. The one I wrote for NaNo last year, On the Other Side (aiming for December 2015), is steampunk. A short story collection I want to publish in the next year or so, Between Light and Dark, is a mix of horror and romance. The collection I hope to have out soon, The Futility of Loving a Soldier, is contemporary.

Fortunately my publisher, Evolved Publishing, is okay with my eclectic stories and novels. And I know many writers use a pen name when branching out to something new.

Part of the problem, however, is marketing to the right audience. If someone enjoys my horror stories like “Tim and Sara,” there’s no guarantee they’ll like my women’s fiction novel. Steampunk fans might not enjoy contemporary stories.

If you write in multiple genres, how do you deal with this? And as a reader, how do you feel about a writer hopping through different genres?

So I got a publishing deal this week…

Yep. I’m joining Evolved Publishing, with my first novel scheduled to launch December 2nd, 2013.

I have to say, the feedback and support I’ve received from everyone has been amazing. There are so many people who’ve helped me get to this point, from my beta readers on Scribophile (author Sam Curtis especially; we’ve had so many idea bouncing/hashing out sessions in the past couple years), to those I’ve been lucky enough to beta read for as a way to improve my own writing skills.

But there have also been some not-so-well wishers. Some are voicing concerns because they really do care about my success, and others are just cantankerous [insert insult of choice].

Either way, I want to assure everyone that yes, I did plenty of due-diligence before even submitting to Evolved back in February. At a previous job, one of my duties was researching companies to find any potential problems that might arise if we were to do business with them. I’m a master of Google-fu; trust me, if there’s dirt to be found I’ll find it.

And based on everything I found, I felt nothing but good vibes from this company. From their website, to interviews with their staff, to works I’d read by their authors, to comments by those authors themselves about the company – it all leads me to believe that Evolved is the best fit for me at this point in my writing career.

I won’t go into specifics (nondisclosure clause and all), but suffice it to say I talked to the head publisher and executive editor for 90 minutes Tuesday night, and I was more than satisfied with everything they said. It’s evident that their company’s team approach has the best interests of the authors first and foremost.

So, thanks again, everyone, for all the help and support you’ve given me. I couldn’t have done this without you!

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