I’m a huge fan of short stories. And I’m also generally too busy to read a whole book, so I love finding short story collections that introduce me to new authors. And fairy tales are just fun, so I was glad to find these three books, each of fairy tales.
The first two are steampunk versions of old tales (or steampunk stories inspired by fairy tales), while the third book is just new takes on fairy tales. And while at least a couple stories in each book are, unfortunately, barely mediocre, there are some real gems that stand out:
Leslie and David T. Allen have a fun story about a tiny samuri, “The Mech Oni and the Three-Inch Tinkerer,” who goes into the big world to rescue a damsel in distress. They follow up his story with a second one, “The Fairy Collector and the Three-Inch Samurai,” that’s just as good as the first one. Maybe it’s because I don’t know much about Japanese folklore, but these seemed to be some of the most original stories.
“Water of Life,” by Chris Champe, was another good one in vol II, about a mediocre prince who turns out to be better at questing than his older brothers. “Vasilisa and the Mechanical Matryoshka,” by Heather White, was a great adaptation of the Baba Yaga stories (which don’t get enough attention by Westerners).
Turning towards From the Stories of Old, “The Glass Maker” by Mckayla Eaton may have been the most original – a retelling of Cinderella with swapped gender roles. “Daughter of the Air,” by Renee Harvey, is another great twist on a favorite tale – what happens to the Little Mermaid after she becomes sea foam?
Altogether, these three anthologies are well worth the price for nearly 30 fairy tales that are each a new take on the familiar.
Today’s accompanying music is also a new twist on some old songs – the kid-friendly, lullaby renditions of Nine Inch Nails classics. The whole album is worth a listen, but this version of “Closer” is probably my favorite.
The music: “When Universes Collide” by Gogol Bordello
A month ago I was browsing through the kids’ books section of a boutique in Auroville, Tamil Nadu, India, looking for books for my son. He loves myths and historical stuff, so I thought he’d enjoy kids books from another culture. I stumbled across this week’s book, Th3 8oy Who 5p3ak5 1n Num83r5. I thumbed through it, assumed it was a book about a dyslexic kid or something, and bought it without reading the back. I read it last week, thinking I could discuss it with my kid after he read it – and holy crap. It was not what I expected.
The story follows the unnamed title character as he navigates a refugee camp in war-torn Sri Lanka (I feel horrible for not knowing details about the Sri Lanka civil war; I remember hearing about the Tamil Tigers a few years ago, but I didn’t know much about them.
Well, turns out there was a major war. Tens of thousands killed, more displaced, and, like any war, both sides lying about what happened while blaming the other.
And that’s the best thing about this book – it really could be about a war and refugee camp anywhere in the world, from Latin America to Syria to Liberia, at any time in the last 50 years. Because to a child, the specifics don’t matter. All that matters is that his family and friends are gone, and he doesn’t know why. He had to leave his home, and he doesn’t know why. He’s hungry and scared, and everyone in charge is yelling, and he doesn’t know why.
My focus in my non-writing life is on child trauma in underprivileged populations. I spent a year at an elementary school with a large refugee population, with families from around the world. So when I read a book like this one, I marvel at the strength it took them to make it through alive and safe. And I cry that they had to experience those atrocities.
The song this week is by a gypsy punk band, Gogol Bordello. This song is about war and what happens when you love someone on the wrong side. It’s not a direct match for Th3 8oy Who 5p3ak5 1n Num83r5 , but it’s complementary.
The Gunslinger features Idris Elba as Roland and Matthew McConaughey as Flagg – photo from EW.com
The books:The Dark Tower series by Stephen King
The music: “Bad Company” performed by Five Finger Death Punch
Like many (most? very few?) kids, I picked up my first Stephen King book in middle school. I’d read my way through the entire YA section and most of the sci-fi/fantasy section at my nearby library and branched out to horror with his Eyes of the Dragon, which first introduced me to Flagg, who also appeared in The Stand and, of course, The Dark Tower series.
I vaguely remember reading the first book in the series, The Gunslinger, in high school and not being too impressed. However, I kinda have a thing about reading the rest of a series if I’ve started it (I actually made it to Wheel of Time book 10 – the furthest of just about anyone I know), so I pushed on with The Drawing of the Three – which was pretty good. And they got better after that, with Wizards and Glass being pretty damn amazing, until they suddenly weren’t good at all, but I pushed on and the ending was worth it, because it was one of the best, most appropriate endings the series could have.
And then I got sidetracked to other authors, and into not really having time to read, and didn’t really think much about the series.
Until the powers that be decided to make it into a movie. A real movie, actually cast and happening, and not just rumors. I decided to reread the series.
A quick summary: Roland of Gilead is the last gunslinger, chasing a man in black across the desert in order to learn more about the dark tower and maybe get some revenge. He teams up with three people from our world -Eddie, Susannah, and Jake – and they go on a bunch of side quests while trying to save the tower, which is kinda the linchpin of all universes.
Here’s my thoughts on them (without specific spoilers):
Book I: The Gunslinger – It’s a lot better than I initially thought. It sets up Roland’s world nicely; minimal backstory but it’s still intriguing.
Book II: The Drawing of the Three – I like Eddie. I’m not impressed with Susannah. And I’m confused as to why they fall in love, other than what some kids described to me as “the airport phenomenon” – basically, you’ve been away from viable partners for so long, everyone becomes attractive, including people you’d never hook up with otherwise (1. Yes, I realize this has nothing to do with airports, and 2. We’d been out of the country for 2 weeks at this point). Applied to this book, it seems they fall in love because there’s no one else to have a relationship with. Nothing says “This relationship will last” like desperation.
Book III: The Wastelands – Nothing really happens in this book. A lot of walking. Interactions with new characters. Killing of some of those characters. And Flagg pops in.
Book IV: Wizard and Glass – So maybe King isn’t actually great at the love aspect of storytelling, because Roland and Susan also fall for each other because they’re there (and because of teen hormones). This book is a wonderful flashback to when Roland was a teen with visible emotions, and it nicely sets him up as a badass adult. This book is also probably the best in the series.
Book V: Wolves of the Calla – Much like book 3, there’s a lot of walking. Interactions with new characters. Killing of some of those characters. This is also where the deus ex machina begins to ramp up. “Oh, hey, let’s just time travel and leave ourselves notes so that everything will turn out peachy.” Also, the end of this book starts the “Holy crap, what the hell does he think he’s doing?” reactions.
Book VI: Song of Susannah – More time travel/world hopping. At this point, you’re pretty much reading because you’ve already invested so much, you may as well finish the series. King is starting to tie threads from all his stories together, but then he kinda just craps out. Maybe he’s spent all his creative energy on other books.
Book VII: The Dark Tower – So, you wanted everything wrapped up? Sure. And then let’s throw in a new character in the last 100 pages of a 7-book series spanning over 4000 pages, and let’s give him a magic ability that miraculously saves the day. Ugh. But at least the ending was perfect.
Overall: The series is well worth the read. Sure, it drags at some points. Some of the cameos are beyond stupid (you know who I’m talking about, Stephen King). And there’s a lot of moments where things wrap up too nicely due to “serendipitously” having the right object and being in the right place at the right time, because they went back and warned themselves and planted items. But King’s worldbuilding is second to none, a nice blend of fantasy and post-apocalypse and now for a setting in “a world that has moved on.” I strongly recommend reading the books, before the movies come out.
The music of this is Five Finger Death Punch’s cover of Bad Company’s “Bad Company.” Because Roland and his pals and gunslingers first. They have their own code of honor, but they won’t hesitate to gun you down if you get in the way of their quest for the tour.
H.L. Burke made her mark with dragons (the Dragon and the Scholar series), then moved onto a fantasy series about elemental beings competing to take over the human world. Her Nyssa Glass series marks a departure from fantasy, into steampunk. However, her main character is still the same – a strong female who isn’t going to let anything stand in the way of her goals.
And Nyssa has a lot standing in her way. Orphaned at a young age, she was raised by an uncle who forced her into a life of petty crime. She managed to escape (before the series begins) and reform her life, but just as things were getting turned around for her, she was forced back into that life. This time, though, she wasn’t going down without a fight.
The rest of the books in the series detail her attempts to stay honest despite her past following her around. She makes some friends along the way that support her based on who she is, not what she did, giving this series a good moral for its readers.
The five books in the series are a quick read that would be great for anyone looking for an imperfect yet strong female role model.
The books are a bit dark at times – there’s a lot of violence – so for the song I picked this instrumental number by Apocalyptica. Generally I try to match song lyrics to book themes, but in this case the music sets a fitting tone for the series.
The music: “Inní mér syngur vitleysingur” by Sigur Rós
Tangled Ties to a Manatee takes us through the interconnected lives of a large cast of characters – college students who work at a group home where the nephew of a wildlife retreat owner/director lives, and some of the college kids’ friends work there too. The residents of the group home like to go to the local zoo, where the ex-wife of a professor at the college works. And one of the retreat employees is actually a private investigator undercover because some people think it’s a cult, and her supervisor is undercover at a coffee shop where the professor’s brother works and so does that nephew. Oh, and the husband of one of the cultists works at the zoo too, and one of the college students is also a fortune teller for the cult leader. And then a couple guys come along trying to run a scam using the wildlife retreat, but a pregnant manatee named Ankh manages to save the day.
Although confusing at times, the author skillfully brings it all together throughout a plot that’s reminiscent of a PG-rated Big Trouble (which is an awesome movie you should definitely watch). The only thing I’d want changed is to spend more time on a few main characters, rather than a little time on everyone. However, each character has his or her own voice and personality, and each contributes something to the storyline.
Overall, a fun, light read that I highly recommend.
As for the song – I’m on a bit of an Icelandic kick recently, from their Viking heritage to their modern day politics and awesome music. One of my favorite Icelandic bands, Skálmöld, just released a new album this week and included a cover of one of my favorite songs by one of my other favorite Icelandic bands, Sigur Rós. It’s a fun song, to pair along with a fun book.
(Also, Sigur Rós aren’t really Vikings but Skálmöld are. Not that that has anything to do with this week’s book or song.)
The books: The whole Anne of Green Gables series by LM Montgomery
The music: “Big Bird in a Small Cage” by Patrick Watson
Grounds at the Anne of Green Gables Museum, PEI
Earlier this month I wandered up through New England to the Maritime Provinces. I was especially excited to get to Prince Edward Island, home to a couple book series I enjoyed as a kid: the Anne of Green Gables series and the Emily series, both by LM Montgomery.
PEI is beautiful: gently rolling fields of wheat and potatoes interspersed with small groves of trees, farmhouses with the sea in the distance, little villages with charming little houses. But after a couple hours driving around (from the bridge at Borden-Carleton up to Cavendish), we were bored out of our minds and ready to go back to New Brunswick, where we’d set up camp for a few days.
I’ve been rereading the Anne of Green Gables books since I got back, and they’re yet another series from my childhood that I would’ve been better off leaving to my memories. In case you’re not familiar with them, they follow Anne Shirley, a little-red headed orphan adopted by an aging brother and sister. She grows from lovable scamp to lovable adult. Everyone who meets her either loves her at first sight or grows to love her (or at least like her a lot). She solves the problems of everyone she comes across, especially when it comes to relationships. Despite her faults (a temper, having a way too active imagination), she’s the ultimate Mary Sue – perfect, with nothing bad ever happen. The books are more a collection of vignettes of her life and the characters in it, rather than vignettes.
As for the prose, dear God but it’s purple. Going on and on about sunsets and trees and beauty – beauty everywhere. Everyone wants to be beautiful and wear beautiful clothes, as if there’s no more to life than beauty.
Contrast this another series by Montgomery, the Emily books: Emily of New Moon, Emily Climbs, and Emily’s Quest. Emily goes through all kinds of defeats in life (illness, broken engagements, fights with friends, relatives who hate her) and is determined, by the end, to accept her fate and die alone. Emily is keeping it real.
PEI doesn’t focus on Emily, however. It focuses its attention on Anne – the pretty but boring Anne, who has adventures but you know everything will work out for her so you really don’t care after awhile.
The song doesn’t really fit with the books but it fits with my impressions of PEI. I heard it while driving through Manitoba this summer. It’s pretty but unmemorable, because I really just don’t care about the bird or its cage.
If I, as a rational adult, were pressured to break into an abandoned nursing home in order to appear cool in front of my peers that I didn’t even really like, there’s a good chance I’d have a brief two word response and then I’d promptly leave. Same if I were pressured into having a scavenger hunt in that same creepy building.
The plot of Resthaven, however, revolves around teenagers doing teenage things – like breaking into said creepy nursing home. Once inside, either in order to look cool or simply because their frontal cortexes are far from fully developed, those teens continue making irrational – but wholly teen-logical – decisions in a quick-read story packed with thrills and surprises at every turn.
The story starts out with new girl Kaylee arriving at her classmate Jamie’s house for a routine sleepover, only Jamie strong arms the girls into exploring Resthaven, an old empty nursing home. She promptly gets mad at them and abandons them to a night of horror.
I kind of expected the book to be more supernatural, but the fully-human villain is even scarier than a ghost or monster. Every twist is possible, if not plausible, as Kaylee and her friends find themselves deeper and deeper in a mess that rivals any 90s teen horror flick.
As for the music – on of my son’s favorite bands is Disturbed, so we’ve been listening to a lot of their CDs to get ready for his first rock concert (Disturbed and Breaking Benjamin last night in St. Louis – it was awesome). The music from the song really fits the mood of the book. The lyrics don’t fit very well, but since you can’t really understand what the guy’s saying half the time, it doesn’t really matter.
The music: “Take the Money and Run” by the Steve Miller Band
I don’t watch a lot of movies. But when I do, I almost always try to read the book as well, to compare. Such was the case with No Country for Old Men, which I watched a couple weeks ago (yes, I’m a bit late to this one, I know). And A Simple Plan, which I first watched a couple years ago but rewatched not too long ago.
In No Country for Old Men, a Texas guy hunting antelope comes across the remains of a drug deal gone bad. Everyone involved is dead, so he takes the money and runs, thinking the money will solve all his problems. A psychopath bounty hunter pursues him, as does a bunch of nameless Mexican thugs. Lots of people die in very bloody, matter-of-fact ways. The book is an excellent commentary on perceptions of changing society and what role, if any, we’re required to play to change society for the better.
In A Simple Plan, some guys hunting in Minnesota come across a downed plan. The pilot is dead, so they take the money and run, thinking the money will solve all their problems. A fake FBI guy pursues them, and no one can keep their mouths shut about the money. Several people die.
In both cases, maybe the main characters’ lives weren’t perfect, but they were a lot better before they found the money than at the end of the stories. Had they just left the money, or turned it over to real law enforcement, their lives at the end of the stories still wouldn’t be perfect, but everyone would still have be alive.
So, despite what Steve Miller tells us about Billy Joe and Bobby Sue, if you find a bag of money, do not take the money and run! Because people will die.
(Also, these are both very good movies. McCarthy’s book is better than the movie – it ties up a lot of stuff left out of the movie – and Smith’s book is not as good as the movie. In fact, don’t read his book; just watch the movie.)
As a kid, I really enjoyed reading historical fiction. I read all the books in the Sunfire series, in which a young heroine had to choose between two suitors while going through an event in American history (the 1918 Spanish Flu outbreak, piracy in New Orleans, the Galveston Hurricane, etc). I learned a ton about history this way, especially obscure events that received little, if any, attention in the classroom.
I also remember enjoying Morgan Llywelyn’s Druids, about Vercengetorix and the Celts, so when I was in Goodwill looking for a book and saw 1916 for just $.88, I picked it up; I liked the author and didn’t know anything about the Irish struggle for independence, so it seemed like a good fit.
1916 fictionalizes the events leading up to the Easter Rising – on April 2014, 1916, a group of men seized government buildings in Dublin and proclaimed Ireland’s independence from Britain. The book follows Ned Halloran, a young teen who gets caught up in the action while attending a school run by Patrick Pearse, one of the leaders of the rebellion. In addition to tracing the Irish independence movement through the eyes of an Irish citizen, it tells the story of Ned’s sister in America and her attempts to establish a new home there while trying to maintain ties with her home country.
First off, this book is dense – nearly 500 pages packed with historical figures and events over four years. Because of my lack of knowledge of the subject, I struggled to keep many of the characters straight, especially since they played minor roles in the overall fictitious plot. I think I would’ve had a better time of it if I’d had any familiarity with the topic.
Overall, however, I enjoyed this book. It explores a lot of themes: class and its relationship with British colonialism, patriotism, honor, self-determination, and feminism, just to name a few. I realize the author – winner of the 1999 Exceptional Celtic Woman of the Year award – is biased with her allegiance to Ireland over Britain, but she manages to keep the opinions on Home Rule to her characters without preaching.
Amazon has informed me that this book is the first in a series of novels about Ireland’s fight for independence; I’ve added the rest of them to my to-be-read list. This is a topic that doesn’t come up in America very often, and I’d love to know more about it.
As for the music, a local radio station plays songs from the “Alt Vault” – mid-90s alternative songs. I heard them all thousands of times when they were originally aired, especially The Cranberries’ “Zombie.” I knew they were an Irish band, but I’d never really paid attention to the lyrics. However, when the song came on a couple months ago, these lines stuck with me:
It’s the same old theme Since 1916 In your head, in your head They’re still fighting With their tanks, and their bombs And their bombs, and their guns In your head, in your head They are dying
The song was about the IRA’s violent struggle at the time to gain independence from Britain, and about the lengths people will go to for freedom. There aren’t any armed struggles in Ireland anymore, but we see the same issues – the same theme – in Syria, in Palestine and Israel, in Darfur and dozens of other places around the world. This song is fitting for today, Memorial Day, as we remember those in the armed services who gave their lives for their cause. But it goes a step further in memorializing those who didn’t serve and lost their lives as well.
Last summer, I reviewed the first book in this series, The Viper and the Urchin (now titled The Bloodless Assassin), about an assassin who teams up with a street urchin to solve a string of copycat murders. This book pairs the two of them again, although this time they’re now working for the city-state ruler, the Marchioness – and completely bored out of their minds. The action picks up when the team is pulled in to investigate a murder in a rough part of town. They stumble on a big conspiracy where no one can be trusted, as the body count mounts.
Like the first book, this one was great in that I didn’t really predict the ending. The author is great at misdirection; like the characters, you’re not sure who the good guys or bad guys are, as everyone has motives that aren’t completely revealed until the end.
Also like the first book, I loved the diverse cast of characters thrown in so nonchalantly. In addition to the rainbow of skin tones, the Marchioness has a female consort that no one bats an eye at. I’d love to see more books follow this path of mirroring the diversity found in the real world.
It also touches on class issues: are certain people expendable based on their role (or lack of) in society? What happens when classes mingle – is it okay socially? Will both sides be able to accept each other, or will there always be the urge to change one of them? How fluid is class, and what happens when you move into a new one?
The Black Orchid focused as well on relationships: the one between assassin Longinus and street urchin Rory, between Rory and a nobleman working in the Marchioness’s guard, and between the Marchioness and her longtime consort.
Overall, I enjoyed this book. It was a good balance of fluffy escapism and social commentary. I’m looking to see what we get in book 3.
The music to accompany the book is a new song by one of my favorite bands, Blue October. The album just came out a couple weeks ago so there’s no audio floating around YouTube yet, so I leave you a link to the song on Amazon. This particular song ties in with the relationships between the characters.